A Picture of Guilt

A Picture of Guilt

The big news story in Chicago is the murder trial of Johnny Santoro, a dock worker whose girlfriend has been killed.

Most Chicagoans are betting on a quick guilty verdict, but Ellie Foreman has doubts about his complicity—Santoro is strangely familiar to her. Checking back to the outtakes of a video project in progress while the murder took place, Ellie finds evidence that could save Santoro from a lifetime behind bars.

It seems the perfect alibi, but the tape is compromised by radio interference and Santoro goes to jail. Almost immediately, Ellie’s world begins to shift: a suspicious vehicle follows her, the Chicago mob shows up, and the FBI wants to question her. She doesn’t have answers, but she has questions of her own about the radio transmissions.

Everything indicates that someone wants something from her, something bigger than the Santoro case. If only she could figure out what it is…

An Image of Death

An Image of Death

Who knew that a career in video documentaries could lead to crime? Such is the fate of Chicago’s Ellie Foreman, whose shoots hook her up with misdeeds past and present.

Here she is producing a video about foster children that’s being financed by a successful Chicago real estate developer. Her plans get thrown for a loop when a mysterious package appears at her door one winter night. Inside she finds a surveillance video showing the murder of a young woman. Who was this woman and what is her connection to Ellie?

The cops shunt her aside, but the urgency she feels to find answers, coupled with her professional knowledge of film, compel her to sleuth despite the difficulties borne from a complex history with her lover, David.

A little digging reveals that the murder victim was a courier with a dark history forged in Eastern Europe at the time of the Soviet Union’s collapse. And a little more digging reveals dark happenings here at home, money laundering, and the deadly price of dealing in diamonds…

A Shot to Die For

A Shot to Die For

In this fourth title in the Ellie Foreman mystery series, the Chicago documentary filmmaker finds herself in Lake Geneva, Wisconsin. Returning from a video shoot at the Lodge, a newly renovated, upscale resort, Ellie befriends a woman who claims her ride abandoned her at a highway rest stop.

But Ellie’s kindness is brutally cut short when a pickup truck pulls up, the rear window opens, and the woman is shot dead. Even with her history of sleuthing, Ellie is not eager to get involved. Then the victim’s family arrives and begs for information. When the second shooting occurs, Ellie decides to poke around on her own.

She is soon drawn into the history of a wealthy and prominent family, deeply rooted in a magnificent mansion on the shores of the lake, and surrounded by an elaborate web of lies, murder, and family secrets that have plagued both them and the town for years—secrets that now place Ellie in the crosshairs of a killer.

Jump Cut

Jump Cut

Chicago video producer Ellie Foreman has been absent from thriller author Libby Fischer Hellmann’s repertoire for almost a decade. Now she’s back…and soon entangled in a web of espionage, murder and suspicion that threatens to destroy what she holds most dear.

Hired to produce a candyfloss profile of Chicago-based aviation giant, Delcroft, Ellie is dismayed when company VP Charlotte Hollander, the architect of a new anti-drone system for Delcroft, trashes the production and cancels the project. Ellie believes Hollander was spooked by shots of a specific man in the video footage. But when Ellie arranges to meet the man to find out why, he’s killed by a subway train before they can talk. In the confusion, she finds a seemingly abandoned pack of cigarettes with a flash drive inside that belonged to the now dead man.

Ellie has the drive’s contents decrypted, but before long she discovers she’s under surveillance. Suspecting Delcroft and the ambitious Hollander are behind it, she’s unconvinced when Hollander tells her the dead man was a Chinese spy. Ellie and her boyfriend Luke try to find answers, but they don’t realize how far they ventured into the dangerous echelons of hidden power where more lives are on the line, including theirs.

Jump Cut is award-winning author Libby Fischer Hellmann’s thirteenth novel and fifth in the award-winning Ellie Foreman mystery series.

An Eye for Murder

An Eye for Murder

August, 1944, Prague is where the story begins with a seemingly casual exchange. But in wartime, is any act, any one thing, trivial?

Decades later, in contemporary Chicago, the consequences emerge through the medium of television. Documentary filmmaker Ellie Foreman gets a letter prompted by the success of her show “Celebrate Chicago.” One viewer was the elderly Ben Sinclair. When he suddenly dies, his landlady Mrs. Fleischman finds Ellie’s name among his effects and writes to her. Ellie, who hasn’t a clue about a connection to Ben, is curious. And she agrees to help dispose of Ben Sinclair’s possessions. She became a filmmaker to help people tell their stories.

The books and wartime relics Ben left behind—will they be enough to tell his? All too soon, Mrs. Fleischman dies. Then Ben’s things are stolen from Ellie’s suburban home. The single mom, working to move past her ex, doesn’t know what to think. But she has to scramble for work and is soon embroiled in producing a campaign video for a steel magnate running for a Republican seat in the Illinois Senate. Despite these distractions, Ellie stays focused on her odd link to the dead man and turns to her father, a retired lawyer with deep roots in Chicago’s Jewish community, for insights into the mystery of Ben Sinclair. In time, a terrifying scenario develops that reaches back into several pasts.

From the political present of the North Shore to the buried memories of the city’s ethnic neighborhoods, the components of Ben’s story eventually merge into an explosive climax.

  • Nominee, Anthony Award for Best First Novel
  • Winner, Readers’ Choice for Best First Novel (Love is Murder conference)